Colossalvision offers a range of field production options. For example, the new HD camcorders are highly flexible production tools that have been Tyler-mounted for an aerial shoot over the yards of Newport News Shipbuilding and over New York City for Waste Management, rigged to a Steadicam for Federated Merchandising Group , mounted to a Jimmy Jib for Phillips Classical/Clara Ponty or attached to an Innovision lens for both Nortel Networks and Snell and Wilcox.
Colossalvision Production Packages include (but aren't limited to): | Colossalvision Director David Niles shooting the new R.E.M. music with Panasonic's variable frame rate HD Camcorder AJ-HDC27V |
- HD-experienced DPs, Operators. Gaffers and Grips, Hair and Make-up Artists available worldwide
- Single or multi-camera packages switched or iso
- Panasonic DVCPRO HD Camcorders and Recorder/Players, including the variable frame rate AJ-HDC27V
- SONY HDCAM Camcorders -- 24P, 30P. 60i
- FUJINON Lens - Superwide to Sports to Prime
- HDCAM Recorder/Players 1080i/1080p24
- D-5 Recorder/Players 1080i, 720P, 1080p24
- W-VHS Recorder/Players 1080i
- Monitoring 10" to 28" CRT, Plasma, Projection
- Camera Support Wescam and Tyler Aerial Mounts, Innovision snorkels, Jibs, Cranes, Car mounts and Steadicam
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